Natural Patterns

Lines and Sky
Olympus XA2, film: Kodak Gold 200

Frozen Snow Tracks
Canon 5D

Although I may have color film in my cameras, I often see potential images I knew right away would work better in black and white. Such was the case with these two image which were originally shot in color, one with a Kodak color film, the other with a digital camera. Both were converted in digital post-processing to black and white because that is how I envisioned them before I pressed the shutter.

Morning Light

A quick shot of our lobby floor this morning.

Rear Window

In the past month I felt like James Stewart's character in the movie, "Rear Window".
Unfortunately, I don't have a scenic window view like he had.
The good news is that I'm back on my feet again and should be back to work soon.

Light Wands

Sometimes it's fun to experiment with simple light sources. Back in the late 1980's commercial photographer, Aaron Jones popularized a painting with light technique with his Hose Master light wands.
Just for fun I made a trio of my own simple light wands with L.E.D. flashlights. To make the light beams narrower and easier to control I equipped the flashlights with a homemade cardboard telescopic snoot and another with a snoot with a spot grid. The L.E.D. lights are a little bit cooler in color temperature so I put a warming gel ( CTO 3410 ) over them. I could then try painting with light.



To paint with light, the image should be shot in a very dark room. Place the camera on a tripod. Experiment with aperture and long shutter speed, 10-30 seconds, depending on your light source. I move the flash light in sweeping strokes during the exposure to prevent hot spots. Avoid pointing the flashlight directly to the camera's lens unless you want a light streak effect. Lock your camera's mirror if you have one to prevent camera shake during the long exposure.

Here are some of the results.



Painting with light using a L.E.D. flashlight with spot grid. Exposure f/22 at 15 seconds.



Exposure, f/11 at 15 seconds. Background lit with a Nikon SB-28 with red gel at 1/32 power setting

The Petrified Diner

Another favorite shot I did using small flash units for the Strobist excercise is this image of a bended fork.
I wanted to show some mystery and drama with this simple prop so I twisted and bent the fork to make it look expressive.

The lighting consisted of three small flash units trigger by radio transmitters :
Canon 430EX with a DIY striplight and gobos at 1/4 power setting on the left of the camera. The fork was suspended about a foot from the background. The background was lit with a SB-28 with spot grid at 1/16 power opposite the camera. A SB-24 with spot grid at 1/8 power was supposed to be an accent light opposite the camera but it didn't fire in this shot. I liked the effect better than when it did.

This shot was later included in the Strobist Trade-Secrets Lighting Cards.

Another out-take from the exercise using only one flash unit.

"Water Bottle"

One of the most viewed images I have on Flicker is this shot of a "Water Bottle" which I did for "The Strobist Bootcamp" four years ago.
I shoot toy products everyday for a living but most of my daily assignments involve simple lighting set ups. The lighting of this self assignment was interesting so I thought I'll re-post it here.

Instead of taking another shot of a bottle of water like everyone else I thought I borrow an idea from one of my brothers in the Philippines who shot an Absolut Vodka Ad about ten years ago. The idea is to actually create a “bottle” out of water.

Below is the lighting and shooting the set up.



Lighting:
I used one light source. I set up a 4’ X 6’ Lightform diffusion panel opposite the camera and behind it was a single Canon 430EX speedlite with gobos on a stand about five and half feet high, angled down towards the set.

Props:
The "water" is actually clear mineral oil that is sometimes used in “ wet” shots. Mineral oil is a little bit thicker than water.

The ice cubes are made of acrylic, available at the Set Shop in New York City. I bought these a few years ago for another liquid shot. The Set Shop sells different models of “ice”.
The Aquafina label is glossy and for my light set up it would produce so much glare, making it unreadable. I scanned, re-sized and printed the label and pasted it on a piece of cardboard so that it would stay above the surface of the liquid and not get messed up. I made a few of them. I planned to shoot the props on a piece of black plexi-glass to produce the effect I wanted but since I didn’t have time to get one I used a cut up piece of black plastic folder.

Shooting:
The black plastic folder background is only about 9” X 12” so I had to keep my composition real tight. I arranged the glass, ice cubes, and label and composed the image in my viewfinder. I did a few test shots to make sure I got the exposure right and made sure the light falls on the set the way I wanted to. Once satisfied with the lighting and exposure, I proceeded with the hardest part of the endeavor, “drawing” the liquid bottle with a medicine dropper. The mineral oil runs and expands quickly, loosing it shape so I had to shoot quickly. I had to repeat the process several times before I got a relatively good-looking bottle shape. The tight space of the set dictated the size and shape of the bottle.

Can't Wait Until Summer!

Green Apples


Peaches


The Pool

My Last Vacation to the Philippines

Hat Vendor, Bohol


Fisherman's Hut, Bohol

The best season to visit the Philippines is December to February. The climate is very pleasant these times of the year, not too hot and humid and the rainy season had mostly gone away.
It's been awhile since I visited my native country, the last time was after Christmas in 2005.
Above are a couple of my favorite shots taken in the island of Bohol.

Monster Bubbles

My studio shooting assignments are now slowly winding down for the season. Whew!!
I will have time to shoot more personal stuff.
The above image is an outtake that I took last year for a toy called Monster Bubbles. The toy actually produced these giant bubbles! The original shot was in color.

1 Day Before Trick or Treat

2 Days to Halloween

3 Days Until Fright Night

Busy in the Studio.

Switching gears for a moment.
My day job for the last ten years now, is an in-house photographer for a toy company in New Jersey. So far our company is blessed and is still thriving well in the present poor economy. Now is a very busy season for us, getting new products ready for the coming year.
I've been shooting kid models and toy samples for packaging design, catalog and on-line publication.
Above is my makeshift studio and a sample shot I did a couple of years ago. The bathtub is a set where we shoot bath toy products.

Boardwalk Flamingos

Strawberry Farm

Today's Pick


Strawberry Field


Billy Wants to Come In


Petting Couple


Feeding Billy

A Day At The Circus

At the Big Apple Circus.